Audio visual projection installation
Safe (2022) is the second in a trilogy of short films that explore the nuanced overlap between women’s interior and exterior lives. The film succeeds AKA (2019), a cinematic meditation on the intergenerational relationships between mothers and daughters which probes the interconnection of white and black women, as it is portrayed in classic American cinema – Lisson Gallery
Exhibited as a three-channel film, the work utilises both black-and-white and colour, 35mm film and HD video. Bradley’s soundscapes draw from the exterior world (street corners, city sirens, public parks), and includes evocative fragments of language which are directly culled from research. The score ran concurrently across all three of 67 Lisson Street’s exhibition spaces – Lisson Gallery
